Safe and secure 3

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Safe and Secure (Version 3)

Photo credit: Steven Grim (Mosinee, Wisconsin)

Sailboat in moonlight

sailboat moonlight

Sailboat on a Moonlit Sea (original title unknown)

Photo credit: Charlie Hoyer

Saluting flag

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Saluting the Flag

Artist: Percy Moran

Photo credit: Charlie Hoyer




Artist: Sir Edwin Landseer

Sir Edwin Henry Landseer (English, 1802-1873) was a brilliant animal painter whose work had added apeal in the Victorian age because of his tendency to give his animal scenes a moral dimension. The pictures were widely circulated in his time in the form of engravings, often made by his brother, Thomas. Edwin Landseer was the youngest son of an engraver. The three Landseer brothers studied under Benjamin Robert Haydon, the historical painter, from 1815. Haydon encouraged Landseer to study animal anatomy. In 1816, Landseer entered the Royal Academy, but he had already exhbited at the Royal Academy Summer Exhibition in 1815. He was elected Associate of the Royal Academy in 1826, at the age of twenty-four, and full Academician in 1831.

In 1824, Landseer made the first of many visits to Scotland. He fell in love with the Highlands, which inspired many of his later paintings, such as "The Monarch of the Glen." He also visited Sir Walter Scott, who admired his paintings and chose him as one of the illustrators to the Waverley edition of his novels. In the 1830s, his work gained wide popularity and was bought both by the aristocracy and the newly important middle class. He moved freely in aristocratic circles, and after 1836, he enjoyed royal patronage, expecially in the 1840s when Victoria and Albert also discovered Scotland. He paid his first visit to their home, Balmoral, in 1850 to paint a large group protrait of the Royal Family. He was knighted that year even though the painting was never finished.

After a breakdown in 1840, partly caused by the failure of the royal portrait, Landseer had a permanent fight against depression and ill health, although he continued to paint brilliantly almost until the end of his life. In the 1860s he modeled the lions at the base of Nelson's Column, in Trafalgar Square, and these were unveiled in 1867. In 1866, he declined the presidency of the Royal Academy, and after 1870, sank slowly into madness. A major exhibition of his work was held at the Tate Gallery in 1981, organized by Richard Ormond.

Photo credit: Charlie Hoyer

Seats of mighty


Seats of the Mighty

Photo credit: Steve Miller (Rochester, Minnesota)